The Tree, the Eagle, and the Wounds of the Chariot
Guide to the canto
We are in the forest that covers the summit of Purgatory, after the immersion in Lethe. The sacred procession resumes its march around the chariot, and Beatrice orders Dante to observe carefully what he will see. This is the moment when the vision ceases to be a promise and becomes a precise spectacle to decipher.
Whom we meet
Beatrice returns to the scene, now speaking with prophetic authority and entrusting Dante with the task of returning to the world to write what he has seen. The three guardian nymphs of the chariot return, left by Beatrice as a guard. New and unsettling figures appear: the eagle that descends from the sky, a famished fox, a dragon that issues from the earth, the seven-headed monster born from the chariot, a woman with watchful eyes, and a blond giant who kisses her and drags her away.
What to expect
From here on Dante gazes upon a chariot now transformed, no longer merely a symbol of the cleansed Church. After the three wounds and the birth of the monster, the final image opens an uncomfortable question: who truly is the woman, who is the giant, and what remains of the griffin's promise now that the chariot has become something else.
Read the canto
Paraphrase
But because she her wanton, roving eye
154Turned upon me, her angry paramour
155Did scourge her from her head unto her feet.
156Then full of jealousy, and fierce with wrath,
157He loosed the monster, and across the forest
158Dragged it so far, he made of that alone
159A shield unto the whore and the strange beast.
160