Hugh Capet and the trembling of the mountain
Guide to the canto
We proceed along the fifth circle, where the avaricious lie prone on the ground and recite examples of poverty and of punished wealth. Dante draws near to learn who is speaking, and the dialogue opens upon the recollection of the she-wolf, image of greed, with the expectation of a liberator who will drive her away. The scene will remain still until an unexpected trembling of the mountain, heralding a change.
Whom we meet
Hugh Capet, progenitor of the Capetians, recounts his own rise and the sins of his descendants, among them the king who humiliates Charles of Anjou and the prophecy of a future Charles unarmed, destined to strike Florence. With him also speak and recall the other souls of the circle, who at night overturn into opposite examples the praises of the day: Pygmalion, Midas, Achan, Sapphira, Heliodorus, Polymestor, and Crassus.
What to expect
The reader now expects a turning point: the trembling of the mountain and the song Gloria in excelsis mark the passage to the sixth circle, that of the gluttonous. The question remains suspended as to the meaning of that upheaval and of the new moral examples that will accompany Dante among the souls stretched out on the ground.
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