Guide to the canto Where we are Dante and Virgil have just passed through the gate of Purgatory and climb with difficulty through a narrow fissure in the rock, which narrows and widens like a wave. Once out of the passage, they stop on a solitary ledge, the first of the cornices that wind around the mountain. The direction is not immediately clear: the path must be identified, between a wall that rises and an empty space at the side.
Whom we meet Virgil guides Dante's steps and gaze through the new space, inviting him to move along the wall in order to read the sculpted figures. On the marble appear scenes of humility: the Annunciation with Mary and the angel Gabriel, the holy ark drawn by the oxen, David dancing and Michal despising, and the emperor Trajan listening to the weeping widow. Then the souls of the cornice arrive: the proud, bent beneath enormous stones, advancing slowly.
What to expect The canto opens the sequence of the cornices and presents the first of the capital sins purged here, pride, set against the stories of humility carved into the marble. Dante must learn to hold together his gaze on the reliefs and on the souls drawing near. The question remains open: how is pride expiated, and what does it truly mean, for a Christian, to bow down.
When we had crossed the threshold of the door
1 Which the perverted love of souls disuses,
2 Because it makes the crooked way seem straight,
3 Re-echoing I heard it closed again;
4 And if I had turned back mine eyes upon it,
5 What for my failing had been fit excuse?
6 We then entered the threshold of the gate that the ill love of souls leaves unused, because it makes the crooked path appear straight. I heard it being shut again with a sound, and even if I had turned my eyes back to it, what excuse would that have been worthy of my fault? · Verses 1-6
We mounted upward through a rifted rock,
7 Which undulated to this side and that,
8 Even as a wave receding and advancing.
9 "Here it behoves us use a little art,"
10 Began my Leader, "to adapt ourselves
11 Now here, now there, to the receding side."
12 We were climbing through a crack in the rock, which moved now to one side and now to the other, like a wave that retreats and then draws near. "Here it is right to use a little skill," my guide began, "in moving now this way, now that, toward the side that draws back." · Verses 7-12
And this our footsteps so infrequent made,
13 That sooner had the moon's decreasing disk
14 Regained its bed to sink again to rest,
15 Than we were forth from out that needle's eye;
16 But when we free and in the open were,
17 There where the mountain backward piles itself,
18 This made our steps slow, so much so that the waning moon returned to her bed to rest again before we were out of that narrow opening; but when we were free and in the open, up where the mountain folds back on itself. · Verses 13-18
I wearied out, and both of us uncertain
19 About our way, we stopped upon a plain
20 More desolate than roads across the deserts.
21 From where its margin borders on the void,
22 To foot of the high bank that ever rises,
23 A human body three times told would measure;
24 I was tired and both of us uncertain of our way, and we stopped on a ledge more lonely than roads through deserts. From its edge, where the void ends, to the foot of the high cliff that keeps rising, a human body would have measured that distance three times over. · Verses 19-24
And far as eye of mine could wing its flight,
25 Now on the left, and on the right flank now,
26 The same this cornice did appear to me.
27 Thereon our feet had not been moved as yet,
28 When I perceived the embankment round about,
29 Which all right of ascent had interdicted,
30 And as far as my eyes could reach, now to the left and now to the right, that terrace seemed to me to be of that width. Our feet had not yet moved up there, when I noticed that the wall around us, which was less steep than a proper ascent required. · Verses 25-30
To be of marble white, and so adorned
31 With sculptures, that not only Polycletus,
32 But Nature's self, had there been put to shame.
33 The Angel, who came down to earth with tidings
34 Of peace, that had been wept for many a year,
35 And opened Heaven from its long interdict,
36 It was of white marble, adorned with carvings so fine that not only Polycletus, but Nature herself would have been put to shame there. The angel who came down to earth with the decree of the peace wept over for so many years, who opened heaven after its long ban. · Verses 31-36
In front of us appeared so truthfully
37 There sculptured in a gracious attitude,
38 He did not seem an image that is silent.
39 One would have sworn that he was saying, "Ave;"
40 For she was there in effigy portrayed
41 Who turned the key to ope the exalted love,
42 And in her mien this language had impressed,
43 "Ecce ancilla Dei," as distinctly
44 As any figure stamps itself in wax.
45 He appeared before us carved so lifelike, in a gentle gesture, that he did not seem like an image that is silent. One would have sworn he was saying "Ave!," for there was portrayed she who turned the key to open the highest love; and she had imprinted on her lips these words: "Ecce ancilla Dei," exactly as a figure is stamped in wax. · Verses 37-45
"Keep not thy mind upon one place alone,"
46 The gentle Master said, who had me standing
47 Upon that side where people have their hearts;
48 Whereat I moved mine eyes, and I beheld
49 In rear of Mary, and upon that side
50 Where he was standing who conducted me,
51 "Don't keep your mind fixed on one spot," said my sweet master, who had placed himself on the side where people's hearts turn. So I turned, and behind Mary, from the side where he who was guiding me stood. · Verses 46-51
Another story on the rock imposed;
52 Wherefore I passed Virgilius and drew near,
53 So that before mine eyes it might be set.
54 There sculptured in the self-same marble were
55 The cart and oxen, drawing the holy ark,
56 Wherefore one dreads an office not appointed.
57 I saw another story carved into the rock; so I stepped past Virgil and drew close, so that it would be fully visible to my eyes. There in the same marble the cart was carved with the oxen drawing the holy ark, because one fears taking on an office not given to one. · Verses 52-57
People appeared in front, and all of them
58 In seven choirs divided, of two senses
59 Made one say "No," the other, "Yes, they sing."
60 Likewise unto the smoke of the frankincense,
61 Which there was imaged forth, the eyes and nose
62 Were in the yes and no discordant made.
63 In front there seemed to be a crowd of people; and all of them, divided into seven choirs, made one of my senses say "No," and the other "Yes, sing." Likewise, because of the smoke of the incenses that had been depicted there, my eyes and my nose became at odds with yes and no. · Verses 58-63
Preceded there the vessel benedight,
64 Dancing with girded loins, the humble Psalmist,
65 And more and less than King was he in this.
66 Opposite, represented at the window
67 Of a great palace, Michal looked upon him,
68 Even as a woman scornful and afflicted.
69 There, going before the blessed vessel, dancing with lifted step, was the humble psalmist, and in that moment he was more and less than a king. Opposite, portrayed at the entrance of a great palace, Michal watched him like a disdainful and sorrowful lady. · Verses 64-69
I moved my feet from where I had been standing,
70 To examine near at hand another story,
71 Which after Michal glimmered white upon me.
72 There the high glory of the Roman Prince
73 Was chronicled, whose great beneficence
74 Moved Gregory to his great victory;
75 I moved my feet from the place where I stood, to examine closely another story, which shone white behind Michal. There was depicted the great glory of the Roman principate, whose valor moved Gregory to his great victory. · Verses 70-75
'Tis of the Emperor Trajan I am speaking;
76 And a poor widow at his bridle stood,
77 In attitude of weeping and of grief.
78 Around about him seemed it thronged and full
79 Of cavaliers, and the eagles in the gold
80 Above them visibly in the wind were moving.
81 I mean the emperor Trajan; and a little widow was at his bridle, with her face shaped by tears and grief. Around him there seemed to be a press of horsemen, and the golden eagles above them in the image seemed to move in the wind. · Verses 76-81
The wretched woman in the midst of these
82 Seemed to be saying: "Give me vengeance, Lord,
83 For my dead son, for whom my heart is breaking."
84 And he to answer her: "Now wait until
85 I shall return." And she: "My Lord," like one
86 In whom grief is impatient, "shouldst thou not
87 Return?" And he: "Who shall be where I am
88 Will give it thee." And she: "Good deed of others
89 What boots it thee, if thou neglect thine own?"
90 The poor little woman, in the middle of all those people, seemed to say: "Lord, give me justice for my son who is dead, and for this I am consumed with grief"; and he answered her: "Wait now until I return"; and she: "My lord," like a person whom pain drives on, "and what if you do not return?"; and he: "Whoever will be in my place will do it for you"; and she: "What will another's good be to you, if you forget your own?" · Verses 82-90
Whence he: "Now comfort thee, for it behoves me
91 That I discharge my duty ere I move;
92 Justice so wills, and pity doth retain me."
93 He who on no new thing has ever looked
94 Was the creator of this visible language,
95 Novel to us, for here it is not found.
96 And he: "Take heart, for it is fitting that I fulfill my duty before I move on: justice demands it and pity holds me back." He who never saw anything new produced this visible speech, new to us because it is not found here. · Verses 91-96
While I delighted me in contemplating
97 The images of such humility,
98 And dear to look on for their Maker's sake,
99 "Behold, upon this side, but rare they make
100 Their steps," the Poet murmured, "many people;
101 These will direct us to the lofty stairs."
102 While I was enjoying looking at those images of such great humility, and at the craftsman who had made them, whom it was precious to see, the poet was murmuring: "Look over here, but they move with slow steps, many people: these will show us the way to the higher steps." · Verses 97-102
Mine eyes, that in beholding were intent
103 To see new things, of which they curious are,
104 In turning round towards him were not slow.
105 But still I wish not, Reader, thou shouldst swerve
106 From thy good purposes, because thou hearest
107 How God ordaineth that the debt be paid;
108 Attend not to the fashion of the torment,
109 Think of what follows; think that at the worst
110 It cannot reach beyond the mighty sentence.
111 My eyes, which were glad to gaze in order to see novelties for which they are eager, were not slow in turning toward him. I do not want, however, reader, that you be turned aside from your good resolve just because you hear how God wills that the debt be paid. Do not look at the form of the torment: think of what comes after; think that, at worst, it cannot go beyond the great sentence. · Verses 103-111
"Master," began I, "that which I behold
112 Moving towards us seems to me not persons,
113 And what I know not, so in sight I waver."
114 And he to me: "The grievous quality
115 Of this their torment bows them so to earth,
116 That my own eyes at first contended with it;
117 But look there fixedly, and disentangle
118 By sight what cometh underneath those stones;
119 Already canst thou see how each is stricken."
120 I began: "Master, those things I see moving toward us do not seem like people to me, and I do not know what they are, so much so that my sight goes wandering." And he to me: "The heaviness of their punishment bends them down to the ground, so that my eyes were at first in doubt. But look fixedly there, and untangle with your gaze what comes beneath those stones: you can already make out how each one strikes himself." · Verses 112-120
O ye proud Christians! wretched, weary ones!
121 Who, in the vision of the mind infirm
122 Confidence have in your backsliding steps,
123 Do ye not comprehend that we are worms,
124 Born to bring forth the angelic butterfly
125 That flieth unto judgment without screen?
126 Why floats aloft your spirit high in air?
127 Like are ye unto insects undeveloped,
128 Even as the worm in whom formation fails!
129 O proud Christians, wretched and miserable, who, sick in the mind's sight, trust in your backward steps, do you not see that we are worms born to form the angelic butterfly, that flies to judgment with no defense? Why does your spirit rise so high, when afterward you are like defective insects, like a worm whose formation has failed? · Verses 121-129
As to sustain a ceiling or a roof,
130 In place of corbel, oftentimes a figure
131 Is seen to join its knees unto its breast,
132 Which makes of the unreal real anguish
133 Arise in him who sees it, fashioned thus
134 Beheld I those, when I had ta'en good heed.
135 As, to support a floor or a roof, one sometimes sees a figure used as a corbel that joins its knees to its breast, from which there rises in whoever sees it a real pity for something that is not real; such, when I looked carefully, I saw those souls to be. · Verses 130-135
True is it, they were more or less bent down,
136 According as they more or less were laden;
137 And he who had most patience in his looks
138 Weeping did seem to say, "I can no more!"
139 It is true, however, that they were more or less bent over, according as they had more or less upon their backs; and whoever had the most patience in their gestures, weeping, seemed to say: "I can bear no more." · Verses 136-139
The list of places is under editorial review.
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