The creation and the angels
Guide to the canto
Dante is in the Primum Mobile, the last of the heavens, where Beatrice falls silent for a span measured by the displacement of two zodiacal signs. She then resumes speaking, before the poet has yet formed his question: the origin of the angels, the moment of their creation, and the reason for their diversity.
Whom we meet
The angels of the Primum Mobile, whom the poet sees as points of light kindling and smiling upon the Creator. Beatrice, who here also serves as a theological voice, explains the creation, defends Scripture from the errors of preachers, and warns those who distort the Gospel. Saint Jerome appears only as a name recalled, because he had dated the creation of the angels to centuries before the world.
What to expect
The canto leaves Dante with a more articulated vision of the celestial court: the multitude of angels, their hierarchy, and the differing degree with which they love God. The question of how to ascend further remains open: Beatrice has exhausted this heaven and prepares the final passage toward the Empyrean, where the journey will reach its goal.
Read the canto
Paraphrase
Hence, inasmuch as on the act conceptive
139The affection followeth, of love the sweetness
140Therein diversely fervid is or tepid.
141The height behold now and the amplitude
142Of the eternal power, since it hath made
143Itself so many mirrors, where 'tis broken,
144One in itself remaining as before."
145