The burning sand and the violent against God
Guide to the canto
At the end of the second ring, where the wood of the suicides gives way to a sandy plain, the third ring of the seventh circle. The ground is a dry and thick sand, compared to that pressed by the feet of Cato. A continuous rain of flames falls slowly, like snow on an alpine peak without wind, and sets the sand alight. The damned are arranged in different ways: supine, seated gathered up, or in continual movement, to avoid the hottest point.
Whom we meet
A damned soul stretched out, indifferent to the fiery rain, who introduces himself with a single line and challenges the very idea of vengeance. It is Capaneus, one of the seven kings who besieged Thebes, placed among the blasphemers for his pride against Jove, and alone he occupies an enormous space in the canto. Virgil reproaches him loudly because not even the punishment bends him.
What to expect
Toward the bottom of the ring there appears a small reddish stream that extinguishes the flames and skirts the wood, offering Dante a safe passage. Along its course Virgil explains the origin of all the infernal rivers: from the statue of the Old Man of Crete, which drips tears from the four metals, are born Acheron, Styx, Phlegethon, and Cocytus. One question about Lethe remains open, which Dante will see only later, outside this ditch.
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