The angel, the doubt of love and three visions
Guide to the canto
We are still on the second terrace, that of the envious, near its end: the sun is now low and the ascent proceeds toward the west. The passage to the higher step occurs with a new angel, the first whose light strikes Dante directly on the face. Virgil explains to him that this splendor is only an invitation to climb, not a threat.
Whom we meet
No new souls appear: Virgil is the only active voice. His relationship with Dante changes, because now he responds to a theological doubt born of a word spoken in the previous canto, that of 'consorte'. He explains why celestial charity grows with the number of those who share it, deferring to Beatrice the complete solution.
What to expect
Once entered the third terrace, Dante is seized by three swift visions: the Virgin seeking her son, the mildness of Pisistratus, the martyrdom of Saint Stephen. They are images often read as examples of meekness and of punished wrath. The journey then continues wrapped in a dense smoke, signal of the sin about to be encountered.
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